KHS 2017 Exhibit

KHS 2017 Exhibit

 

Exhibit examined Founders of Kent

 

foundersexhibitimage_wbThe 2017 exhibit by the Kent Historical Society explored the challenges faced by the founders of this small New England town, and made connections to the familiar government and community features of life in Kent today.

The Founders of Kent: Starting from Scratch on the Colonial Frontier” was presented in the Seven Hearths Museum with a public opening July 15 and continued weekends 11 a.m. to 4 p.m. through the end of October.

This exhibit examined the Proprietors, the small group of wealthy men who by colonial custom, set up and controlled both the town government and the church. However, this presentation brought the important supporting actors to the front of the stage in order to learn more about the founding families of the town. It also included a focus on those who willingly risked their lives by leaving comfortable homes and villages to trudge, often on foot, clear across the state into that wilderness where there were no doctors, no stores, not even a single shelter from which to start realizing their dreams.

See detail of the Exhibit

The exhibit delved into the harsh realities they faced, such as the brutal winter of 1740; the economic rewards mostly unavailable to them in their former hometowns; the bonds they formed as the little town grew; and finally, the role they played in the early American populist religious movement known as the Great Awakening, which rocked Kent to its core.

The Founders of Kent provided a glimpse into the connection to today’s governmental structure in town, as well as other aspects of life that stretch back to 1738. Many direct descendants of the Comstocks, Skiffs, Fullers, Roots and other settlers are still living in town today.

Throughout 2017 the Society focused on the town’s founders and offered a variety of topics through its Sunday Series lectures on colonial life to enhance the exhibit and to help explain the emergence of one New England town in the 18th century. There was also a lecture on the role religion played in The Great Awakening.

The Society is grateful to the exhibition sponsors, Northwest Connecticut Community Foundation, Kent Barns and Kent Lions Club, for their financial support.

The Kent Historical Society’s mission is to collect, preserve, interpret and present the rich history of Kent as well as to provide educational and research material to enrich the public understanding of Kent’s artistic and cultural heritage. For more information,  call 860-927-4587.

2017 Summer Art Enrichment: another success!

2017 Summer Art Enrichment: another success!

The Society enjoyed another successful Summer Art Enrichment program educating youngsters in June and July with a variety of professional artists as instructors.

The organizers expanded the program to a full four weeks this year and several new instructors contributed their talents, including Sam Alford, an illustrator and animation artist, Albert Coffill, retired Kent Center School art teacher, and Gabriella Martinez, an art student at the Hartford Art School.  We also welcomed back Andy Richards, who is the head of the Visual Arts Department at The Gunnery school.

Some comments from parents: “The instructor was great and the projects were so creative.” “She enjoyed the group creation of comics. The creative interaction was fun for her.” “She enjoyed the chance to immerse herself in painting.”

There were a total of six different weekly sessions of instruction and 53 participants were involved. Many of the sessions also got a tour of the Seven Hearths Museum thanks to Curator Marge Smith.

At the end of each week, there was an art show presenting each child’s work and parents, grandparents and friends enjoyed seeing all the work on display.

“We continue to be awed by the high quality of art instruction that the Summer Art Enrichment students are receiving through this program,” said Melissa Roth Cherniske, one of the trustees that helped organize the program. 

“It was so nice to see the Art Barn buzzing with artistic activity. We started this to pay homage to George Laurence Nelson. I’m sure that he and Helen would be so happy and proud to see the program we have developed ” said trustee Lynn Mellis Worthington, one of the volunteers who helped organize the program.

The Society is thrilled to have the Art Barn in use to allow children to develop their artistic skills.  George Laurence Nelson gave art lessons in various forms over the years and so we believe our art instruction continues his legacy.

For a full description of the sessions, go here.

Interested in Summer Art Enrichment in 2018? Contact the Society’s organizers.

Images from the 2017 sessions:

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KHS 2017 Exhibit

The Founders of Kent:  Starting From Scratch on the Colonial Frontier

The 2017 exhibit by the Kent Historical Society in the Seven Hearths Museum explored the challenges faced by the founders of our small New England town, and make connections to the familiar government and community features of life in Kent today.

In the early 1700s, the northwest corner of the colony of Connecticut was often described as a “howling wilderness.” But in spite of that reputation, western migration by European settlers from central, eastern, and southern Connecticut began to pick up steam. Lured by the thought of large tracts of land of their own, and undoubtedly the possibility of much-needed iron ore, these intrepid people packed up all their worldly goods and headed for the Litchfield Hills.

In March of 1738, the land that became Kent was divided up and auctioned off to the settlers, and also to speculators who saw it as a chance to make a quick “quid” (the US dollar being unknown at the time). The richest of these settlers were known as Proprietors, who, by colonial custom, set up and controlled both the town government and the church.

They followed a standard pattern for establishing a town: they elected representatives to the colony’s General Assembly, appointed town leaders such as selectmen and town clerks, assigned official jobs such as fence viewer and tithing man, and set aside lands for a school and a church meeting house and hired a minister. Once they had achieved all of those goals, including the required successful engagement of a minister, the Assembly gave them an official town patent.

In most histories of early New England towns, the Proprietors hog the spotlight – no younger brothers, no wives, no children. One goal of this exhibit is to bring those important supporting actors to the front of the stage in order to learn more about the founding families of our town.

Who were these people who willingly risked their lives by leaving comfortable homes and villages to trudge, often on foot, clear across the state into that wilderness where there were no doctors, no stores, not even a single shelter from which to start realizing their dreams? Why did they do it? How many survived? What is their legacy to us in Kent today?

We examined the harsh realities they faced, such as the brutal winter of 1740; the economic rewards mostly unavailable to them in their former hometowns; the bonds they formed as the little town grew; and finally, the role they played in the early American populist religious movement known as the Great Awakening which rocked our little town to its core.

Entering the exhibit

The exhibit began in a typical colonial kitchen in the Beebe house here in Flanders, which at the time was the town of Kent. They’ll see how this domestic nerve center might have looked in the days when John Beebe, Jr., his wife Mary, and their children Hezekiah, Hosea, Rodreck, Philo, and Roswell lived in the house. Though the Beebes later moved west to New York, they played an important early role in Kent. John Beebe Sr, who lived in the red house across what we now call Studio Hill, was a town constable and owned a sawmill. The family also ran three stores in the north end of this house, which we now know as Seven Hearths.

In the next room, visitors met the men who came together to lay the foundation of our town. Unlike some towns whose founders came primarily from the same place, our settlers came from all over the colony. Though there were small clans that came together from various areas, they were not a cohesive group as a whole, and yet they needed to band together quickly, to trust each other, to get the ball rolling.  Most of them had sold everything they had to finance their new lives, so they couldn't risk failure. They needed each other.

The common bond, for the first few decades at least, was the church—inextricably entwined with the town government. The leaders of the town and most respected men in the church were ones and the same. The church had long-standing strict laws, and there was an established colony formula for the town government, so they at least knew what they had to do. With Samuel Lewis appointed as Town Clerk, they set to work.

On the first Wednesday in May 1738, they met at Stephen Paine’s house (the first house in Kent, on Lake Waramaug), and began to enact the complicated land divisions. They drew the first property lots and laid out the road to the iron ore bed in South Kent, and set aside the land on the “Great Plain” (now our town center) as a general field and grazing ground. They gave land to Jonathan Morgan to run a sawmill, and Elisha Perry to run a grist mill, both on Cobble Brook near what’s now the Inn at Kent Falls. They began the plans for building the meeting house, which was quickly derailed by a long struggle to hire an appropriate minister.

In the document at right, dated January 1739, the vote to call Rev. Silliman to be the minister is recorded. The next entry denotes his unhappiness with the salary offered, and is the start of an ultimately unsuccessful attempt to hire him and thereby attain the much needed town patent. It also records the vote to appoint a committee to build the schoolhouse (directly across from Seven Hearths), and the vote to begin cutting timber for the   meeting house in October. They had no idea that the dealings with Silliman would reach an impasse, but after struggling for almost a year, they did eventually hire the Rev. Cyrus Marsh, finish building the schoolhouse and finally build the first meeting house (next to a large boulder just north of  121 Kent Cornwall Road). In the meantime, they held town and church meetings in the homes of various Proprietors.

 

Setting the space up to suggest a meeting in progress, we’ll introduce Daniel Comstock, John Ransom, Barnabus and Timothy Hatch, Nathan Skiff, Jabez Swift, Joseph Fuller, Azariah Pratt, Abel Wright,  Nathaniel Slosson, Nathaniel Berry, Philip Judd, Thomas Beeman and more, through whom visitors will learn about so many different aspects of colonial life.

Copies of many of the original records in the Town Hall were displayed, with typed transcriptions so that visitors can actually read the early votes, deeds and job descriptions involved in creating the town of Kent. It is our hope that a few people will be so smitten by these fascinating documents that they’ll want to help with more transcriptions—once they’ve mastered the art of reading mid-18th century script!

The large space on the first floor in the northern end of Seven Hearths was built by the Beebe family in 1751 as a general store. Below it in the cellar was a butcher shop, and above it on the second floor was a fur trading shop. This is where people conducted commerce on the new frontier. There were various commercial businesses set up almost immediately upon the settlers’ arrival in Kent. Shoemakers, blacksmiths, tanners, millers, merchants, and more—all were necessary to support day-to-day survival on the edge of civilization.

There was very little cash out here, for many reasons which will be addressed in the exhibit. Colonists were forced to barter and quickly ran afoul of the British government which was attempting to control the system, a mistake that ultimately led to the Revolution. But that’s another story, and for the purpose of this exhibit, we will simply examine the complex network of debit and credit that allowed our Founding Families to lead comfortable if simple lives in their new homes.

Daniel Comstock, Sr, was Kent’s first general shopkeeper and was quickly joined by several others. They all would have kept meticulous debit and credit records. These ledgers are invaluable resources for information about who lived in what area of town, what they were buying, what they were offering in trade, and what the value of those commodities was. Abel Wright kept a store down on the Great Plain, most likely near the Patco Station. Above is a page from his July 1770 probate inventory. It lists the men who owed him money at the time of his death. Another page lists the men to whom he owed money.  Yet another page shows what items he had in stock in his store at the time of his death. His customers are by now familiar to the exhibit visitors: Swift, Slosson, Hatch, Mills, Fuller, Comstock, Spooner, St. John, Judd, Geer, Barnum, Pratt, Beebe, and more.

As is the case today, the general store was not only a place where one went to buy and sell goods. It was also a place to meet and greet one’s neighbors  - to swap gossip and debate the serious political and religious issues of the day. Though only property owners who had signed the Oath of a Freeman could actually vote, everyone had opinions, and they no doubt shared them here. Visitors to this room will get a sense of what was on their minds, from the cruel winter weather to the threat of smallpox, to the growing frustration with the King of England and the high cost of goods due to his tariffs. News of deaths, or births, of marriages, would be celebrated. Perhaps tips on dealing with ailing livestock would be offered by one framer to another. It was undoubtedly a lively place.

Abel Wright was one of the richest and most powerful men in town, who was expelled from the church in 1745 for befriending the Moravian Missionaries and the Schaghticoke Indians. His story illustrates the beginning of the unraveling of the intertwining of Church and State – the struggle between the “Old Lights and the “New Lights” that was severely testing established customs in daily life and beliefs everywhere. He left town with his wife, daughter, and son-in-law amid much controversy, refusing to admit wrongdoing, and eventually—we believe—becoming a Quaker. His personal story epitomizes so much of what was leading many colonists to question their core beliefs, pitting neighbor against neighbor and generation against generation.

But Abel came back to town 15 years later to find a more open-minded citizenry in a town that had survived the challenge and had firmly established much of the activity and tradition that is familiar to us today. Three churches thrive, we still have a board of selectmen, a town clerk, a town moderator and more. We support our public school and maintain our highways through taxation, and come together to help each other in times of need. Many direct descendants of the Comstocks, Skiffs, Fullers, Roots and other settlers are still here today – testimony to the success of their forebears!

2018 Paint Out raises funds for GLN scholarship

2018 Paint Out raises funds for GLN scholarship

Six local artists contributed paintings they created during a Paint Out April 12-13 in the Seven Hearths Museum. The artistic works will be auctioned during a silent auction April 21 during the Seven Hearths Revealed cocktail party in the historic house museum. Proceeds from the auction are helping fund the George Laurence Nelson Scholarship.

Here is a video of the Paint Out in progress.

The organizer of the Paint Out was Trustee Deborah Chabrian, who is also co-chairing the party.

The six artists who participated are Chabrian, Ed Martinez, Bob Lenz, Susan Grisell, Richard Stalter and Mike Everett. They all created interior views in keeping with the theme of the party.

More information is available here about the George Laurence Nelson Scholarship.

 

A Trio of Grants

A Trio of  Grants Upgrades the
Kent Historical Society’s Archives and Art Storage

The Kent Historical Society recently completed a renovation project that more than doubles the storage available for its art collection and its archives. According to KHS President Mike Everett, “The upgraded Art and Archives Area provides excellent storage space on the society’s property. It will also prevent deterioration and damage to the artwork as well as make far better use of our whole campus. We’re grateful to the three organizations who gave us grants for this project: Northwest Connecticut Community Foundation, the Daughters of the American Revolution and the Institute of Museum and Library Services.”

Like many nonprofits, the Kent Historical Society puzzles over finding more space. The need had become acute since they discovered that the second floor of Seven Hearths, where they had been storing the artwork of George Laurence Nelson, was a Colonial-era fur trading operation. That meant we needed to move the paintings…. But where?

A timely visit from Richard L. Kerschner, Conservation Consultant on Museum Environments, suggested a way forward. Kerschner pointed out that the largely unused space in the Tallman House basement was in fact dry, tight, and structurally just fine for art and archival storage.

This opened up some possibilities. The Society realized that they could move George Laurence Nelson’s paintings there, and have a better environment for the works on paper, which had been suffering at Seven Hearths. With the proper outfitting,the same space in Tallman’s basement could also house the Society’s archives, which would free up space on the first floor of Tallman.

To address these issues, the KHS applied for three grants aimed at renovating the Tallman lower floor for storage of paintings and archives. The grants were carefully structured to cover different phases of this renovation.

The Society was awarded $4,000 from the Northwest Connecticut Community Foundation from the Edwin M. Stone and Edith H. Stone Fund, aimed at the basic reconditioning of the basement — removing an unnecessary oil tank and a furnace, and preparing the walls and floor.

The Daughters of the American Revolution supplied $5,000 for Historic Preservation. Once the KHS explained the relation of the Tallman basement renovation to the fur trading post, they agreed to support us, too. The DAR money covered additional outfitting to make the space suitable for archival work.

More ambitiously, we applied for $17,394 from the Institute of Museum and Library Services (IMLS) to custom-build a storage module for the paintings and artwork. The IMLS grant is the Society’s first federal grant ever we’ve ever received. The Institute of Museum and Library Services (IMLS) grant to KHS was one of 206 museum projects awarded that totaled $21 million. The museums were selected from a pool of 548 applications to the highly competitive Museums for America grant program.

The Institute of Museum and Library Services is celebrating its 20th Anniversary. IMLS is the primary source of federal support for the nation’s 123,000 libraries (link is external) and 35,000 museums. Their mission has been to inspire libraries and museums to advance innovation, lifelong learning, and cultural and civic engagement. For the past 20 years, their grant making, policy development, and research has helped libraries and museums deliver valuable services that make it possible for communities and individuals to thrive. To learn more, visit www.imls.gov and follow the IMLS on Facebook, Twitter and Instagram.

Annual meeting celebrates 2016 accomplishments

Annual meeting celebrates 2016 accomplishments

The Kent Historical Society celebrated its accomplishments in 2016 and honored a number of volunteers during its Annual Meeting Sunday, Oct. 16 in Kent Town Hall.

President Mike Everett welcomed everyone to the event and went through some of the highlights of the previous year. He mentioned that three grants have been received for the renovation of Tallman House into an Art and Archives Storage Area. He also explained there has been much work to organize the administrative floor of the building

The Collections Committee has received a number of donations from the late Marie Camp and from her family after she passed away this year. The committee continues to try to assimilate the material into the collection. He also mentioned a number of the events, including the Sunday Series, the Summer Art Enrichment for children and the Musicale and Spirited Tea in the spring, and thanked those responsible for organizing and orchestrating the details. One of the major accomplishments was the re-clapboarding of Seven Hearths that was finished and then the siding was painted with a second coat of stain in the summer. Almost all of the trim on the windows and doors has also been painted this year. Monthly curators’ tours were conducted from July through October that were long detailed discussions of how an old house, like Seven Hearths, is restored. These were conducted by Curator Marge Smith and trustee Jeffrey Morgan.

The Summer Postcard Exhibit at the town-owned Swift House was held in June through August, with a walking tour offered in July. There was a new version of the organization’s Constitution and Bylaws adopted and ratified by the members. This document was last amended in 2012.The election of officers and trustees was held:

Officers

  • President Mike Everett, term ends 2017
  • Vice President Lynn Mellis Worthington, term ends 2019  
  • Secretary Melissa Cherniske, term ends 2018
  • Treasurer Bruce Whipple, term ends 2019

Trustees

  • Jeffrey Morgan, one-year term
  • Deborah Chabrian, one-year term
  • Roger Gonzales, two-year term
  • Kent Freeman, two-year term
  • Kate Vick, three-year term
  • Austi Brown, three-year term
Volunteers thanked

Several people ended their tenure on the Board of Trustees and Mr. Everett recognized those who had stepped down and gave them each a hand-created token of thanks. Beth Dooley was honored for her long tenure that stretched back to when Miss Emily Hopson served as president. Zanne Charity, who has been on for five years, was recognized for her efforts particularly in programs and outreach efforts of the society, and for the renovation of the Seven Hearth garage into the Art Barn. Patti Case was thanked for her time on the board and her willingness to continue on as a volunteer for the Collections Committee. Tim Good and Nancy Schaefer were unable to attend but were also thanked for their time on the board.

The Board of Trustees also honored two long-time members with a new designation – Distinguished Member – and Fran Johnson and Ky Anderson were both recognized. Ms. Anderson was able to attend and graciously accepted a hand-crafted certificate from Mr. Everett. The docents who volunteered during the summer’s Postcard exhibit at the Swift House were also honored for their service to the society and each presented with a small gift.

Signature Quilt

Finally, the Kent Quilters were honored and thanked for creating and donating the 2016 Signature Quilt to the Society. All attending were called up to the front to stand next to the displayed quilt. Jane Suttell Zatlin, group organizer of the Kent Quilters, shared a little information about the group. The three-panel quilt includes 600 signatures from Kent residents and six different iconic scenes from town. The ceremony marked the official acceptance of the quilt into the Society’s permanent collection. The 25 quilters were thanked and recognized by the society’s members. The event then adjourned to an entertaining presentation by Nick Bellantoni on “Vampires in New England,” the final Sunday Series of the year.

Three grants awarded to support art and archives preservation area

Three grants awarded to support art and archives preservation area

The Kent Historical Society reported last fall that it was working to plan for the future collections and storage needs and we are fortunate that we’ve had three different granting institutions support our efforts. We will have over $26,000 in grants to assist in our efforts to create the Art and Archives Storage Area in Tallman House and provide climate-controlled storage for the extension art collection of George Laurence Nelson’s artwork, as well as the Society’s archives collection.

The Society has been awarded $4,000 from the Northwest Connecticut Community Foundation from the Edwin M. Stone and Edith H. Stone Fund, $5,000 for Historic Preservation from the national Daughters of the American Revolution, and $17,394 from the Institute of Museum and Library Services (IMLS). The IMLS grant is the Society’s first federal grant ever received.

The Nelson art was previously stored in the Seven Hearths Museum. Seven Hearths is not climate controlled, and although the oil paintings have tolerated the far less than ideal conditions fairly well, the works on paper have not. The renovation will include building storage bins of inert material that will safely house the wide variety of paintings that the Society owns, including oil, watercolors as well as lithographs. There will also be a dehumidifier installed.

Our grant applications were supported by a report from Richard L. Kerschner, Conservation Consultant on Museum Environments, who aided the Society’s plan to renovate the lowest level of Tallman House for collections storage. After thoroughly inspecting both Seven Hearths and Tallman House in October 2015, Kerschner quickly came to the conclusion that the tight, dry basement in Tallman offered the best place, for both structural and financial reasons.

The archives are also being moved from the main floor of Tallman to the new space downstairs to satisfy other strategic planning goals and protect the paper documents.

Moving the art collection will allow the Society to proceed with the evolving interpretation of the fur trading area in Seven Hearths. This area was previously used for storing the Nelson artwork.

The environmentally upgraded Art and Archives Area will provide the safest storage space possible on the society’s property. This move will help prevent further deterioration and damage to the artwork as well as increase the Society’s storage space.

The Institute of Museum and Library Services (IMLS) grant to KHS was one of 206 museum projects awarded that totaled $21 million. The museums were selected from a pool of 548 applications to the highly competitive Museums for America grant program.

 

Proposed By-Laws for KHS

Kent Historical Society, Inc.
P.O. Box 651
Kent, Connecticut 06757

Below is a draft of the proposed revisions to the Kent Historical Society’s Constitution and By-Laws. These changes will facilitate smoother running of the KHS, and also bring the various board member terms into chronological alignment. These changes will be voted on by the entire membership of the KHS in attendance at our Annual Meeting, which will be held 2:00 p.m. Sunday, October 16, 2016, at Kent Town Hall, at 41 Kent Green Blvd.

Constitution and By-Laws of the Kent Historical Society

[A note to members: Proposed changes to the by-laws are indicated in boldface.]

The primary mission of the Kent Historical Society, a donor-supported nonprofit organization, is to collect, preserve, interpret and present the rich history of Kent as well as to provide educational and research material to enrich the public understanding of Kent’s artistic and cultural heritage.

VISION STATEMENT: The prized possession of the Kent Historical Society is Seven Hearths, a large pre­-Revolutionary house. As the flagship of the Flanders National Historic District, and the only original building open to the public, Seven Hearths offers a unique view of the early development of the Town of Kent. For much of the twentieth century it was the home and studio of noted New York artist George Laurence Nelson.

  1. The name of this organization shall be The Kent Historical Society, a registered not-for-profit 501(c) 3 corporation.
  1. The purpose of this organization shall be to discover, preserve and restore historical material relating to Kent, Connecticut.
  1. The property and affairs of the Society shall be under the care and management of seven Trustees and four Officers who are members of the Society. Trustees shall be elected at the Annual Meeting by a majority of the KHS membership in attendance each year for a staggered term of three years, and Officers with a term of three years. Officer terms and trustee terms are separate.
  1. At this time, the Officers of the Society shall be a President, a Vice President, a Secretary and a Treasurer. These four officers constitute the Executive Committee. Duly deliberated alternate structures also can be adopted.
  1. It shall be the duty of the President to preside at all meetings of the members and meetings of the officers and trustees, and the President shall have concurrent authority with the Secretary to call such meetings.
  1. It shall be the duty of the Vice President to preside at meetings of the members and meetings of the officers and trustees in the absence of the President, and to assist in the stewardship and the finance activities of the KHS.
  1. It shall be the duty of the Treasurer to receive and safely keep the money, funds and securities belonging to and which may be acquired by the Society; to invest same as directed by the Officers and Trustees; and to enter regularly in books kept for that purpose all money and income received by the Treasurer in said capacity and the source of the same, and of all money disbursed by the Treasurer on behalf of the Society and for what purpose and to whom the same was paid, to take records for said payments, which books and vouchers shall at all reasonable times be open to inspection of the members, Trustees and Officers of said Society. The Treasurer shall make a report at each Annual Meeting of the receipts and disbursements during the year, which report shall also contain an inventory of the Society’s funds.
  1. It shall be the duty of the Secretary to make and keep records of the votes, doings and proceedings of all meetings, and to prepare and transmit to the members or the Officers and Trustees, as the case may be, the notices required by these by-laws, except as the same may be issued by the President.
  1. The Board shall consist of the Officers and Trustees of the Society. The powers of this Society shall be exercised by, and the control and management of its property and affairs shall be vested in, the Executive Committee who shall be fully empowered to enforce the provisions of this Society’s Certificate of Incorporation, and to make, amend and enforce by-laws and regulations for the government of such Board and for the government of this Society.
  1. The Board shall meet at least four times a year. Other meetings of the Board shall be called by the President or at the request of three board members.  Other meetings may be called by the President or at the written request of seven members of the Society. At any board meeting, seven shall constitute a quorum.
  1. At least three days’ notice shall be given for meetings of the Executive Committee, which notice may be oral or written, and four shall constitute a quorum.
  1. In case of a vacancy among the Board of Trustees, the Board may name a member to complete the unexpired term, effective until the next election.
  1. Committees and/or task forces shall be appointed by the President, with counsel from the Board.
  1. EXECUTIVE DIRECTOR:  An Executive Director of the Kent Historical Society may be named by the Board upon recommendation from a subcommittee of the board. Compensation for the Executive Director shall be determined by the Executive Committee, and approved by the full board.
  1. The Annual Membership Meeting normally shall be held in October, at a time and place selected by the Executive Committee, with proper notice given to all members at least five days in advance. The purpose of the Annual Meeting shall be to elect Trustees and Officers. This meeting will also hear the Minutes of the previous Annual Meeting, the Report of the Treasurer and any other reports, and transact such business as is proper to come before said Annual Meeting.
  1. At any membership meeting, seven members shall constitute a quorum.
  1. Membership shall be open to any person who is interested in the purpose of the Society upon payment of the membership fee. Honorary membership may be conferred by the Executive Committee, giving consideration to the member’s long-standing interest in the Society, either by active participation and/or financial aid.
  1. It shall be the duty of the Treasurer to collect, record and acknowledge receipt of membership fees. Any member whose dues remain unpaid for two years may be dropped after second notice is given.
  1. The fiscal year of this Society shall begin on the first day of October in each year, and shall end on the thirtieth day of September.
  1. In the event that the Kent Historical Society, Incorporated, shall be dissolved, the funds of said Kent Historical Society, Incorporated, shall be allocated to the Kent Library Association, Inc. for the maintaining and preservation of all records of the Kent Historical Society, Incorporated, on file in the archives of the Kent Historical Society.
  1. These By-Laws may be altered, amended or repealed, or new by-laws may be made, by the Board at any regular or special meeting called for that purpose, by a majority of the Board, provided that the proposed amendment action has been submitted to the Board members not less than five days in advance. By-laws altered, amended or made by the Board may be altered, amended, repealed or ratified by a majority vote of those present at a general membership meeting.

Adopted July 31, 1968
Revised 1999
Revised October 2012
Proposed revision June 20, 2016

2016 Summer Art Enrichment: another success!

2016 Summer Art Enrichment: another success!

The Society enjoyed another successful Summer Art Enrichment program educating youngsters with an array of professional artists as instructors.

The organizers expanded the program and again added a new teacher, Lilly Rand Barnett. There were three different teachers involved in five weekly sessions of instruction and 46 participants were instructed. Each session also got a tour of the Seven Hearths Museum thanks to Curator Marge Smith.

At the end of each week, there was an art show presenting each child’s work and parents, grandparents and friends enjoyed seeing all the work on display.

“We are pleased by the high quality of art instruction that is being provided through this program,” said trustee Lynn Mellis Worthington, one of the volunteers who helped organize the program.

“It was so nice to see George Laurence Nelson’s property so active with lots of young artists flowing with creativity.  He and Helen would be so happy and proud to see the program we have developed ” said Melissa Roth Cherniske, another one of the trustees that helped organize the program.  

Barnett, who is the art teacher at Sharon Center School, instructed students in a wide variety of artistic mediums.  Some of the projects included sewing of 3D sculptures, embroidery, painting and plaster mask making. She offered both a morning and afternoon session for different ages.  Each of the students got their own sketchbook and a challenge to continue to draw in it during their entire summer.  

Cheryl Moore, chairman of the Art Department at South Kent School, returned for her third year and instructed 5 to 7 year olds. Once again her young students explored color in a variety of ways, including using a variety of watercolor techniques.

Andy Richards, chairman of the Visual Arts Department at The Gunnery school in Washington, led sessions in drawing and painting. His sessions always include a critique element, in which students analyze each other’s work and he provides guidance and encouragement.

Following the sessions, the Society surveyed the parents to get feedback on each class. One parent wrote, “My daughter talks about this camp non-stop. She had so much fun. She was very excited to learn to sew and really enjoyed the art show at the end of the week.” Another parent wrote, “He loved working with different media and creating projects using multiple methods. He also loved seeing the Historical Society and learning about it.”

The Society is thrilled to have the Art Barn in use to allow children to develop their artistic skills.  George Laurence Nelson gave art lessons in various forms over the years and so we believe our art instruction continues his legacy.

 

George Laurence Nelson Art Scholarship 2016 Awarded

George Laurence Nelson Art Scholarship Awarded to Chris Moore

In honor of noted American artist George Laurence Nelson, one of the founders of the Kent Art Association, the Kent Historical Society offers a scholarship of $1,000 to any graduating high school senior or college student from Kent intending to further their education in studio art or art history. 

The 2016 scholarship has been awarded to Christopher Moore, who is a student at Emmanuel College, where he is studying art history and art criticism. As a graduate of Kent Center School and summer intern working with the Society’s Nelson art collection, Moore’s longstanding interest in George Laurence Nelson’s artwork and its reception made him a natural choice for the scholarship. A letter of recommendation from Dr. Anna Knaap, one of his professors at Emmanuel, praised his writing ability and his ability to see deeper into subtle aspects of various works of art. “In his paper on the Crucifixion by the late Gothic painter Duccio, he picked up on more subtle elements, such as the gray toned coloring of Christ’s body that would have appealed to the viewer’s emotions and the varied responses of the figures witnessing the scene.  In these papers, Christopher demonstrated both his writing skills and ability to observe sophisticated and seemingly inconspicuous details in works of art.  In short, he digs deeper than his peers. In sum, Christopher has demonstrated very strong academic, communication, and leadership skills in his first year at Emmanuel College.  He is a fine art historian, a talented writer, and a valuable teacher to his peers.  I therefore strongly recommend him for the George Laurence Nelson Art Scholarship.”

The Kent Historical Society is located at Seven Hearths, which was the home of George Laurence Nelson and has a permanent display of his original art works.  This home, at 4 Studio Hill Road, is a reminder that Kent has a rich and diversified historical past.  In supporting young artistic talent we hope to keep this tradition ongoing.